2005-2006 Acclaim Winners  |
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American Buffalo
New Edgecliff Theatre
 Michael Shooner, Alternative Lead Performance |
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Cat on a Hot Tin Roof
Playhouse in the Park
Jo Twiss, Supporting Performance |
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A Chorus Line
Northern Kentucky University
Ensemble, Musical
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The Clean House
Cincinnati Playhouse in the Park
Michael Haney, Direction
Susan Greenhill, Supporting Performance |
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Company
Cincinnati Playhouse in the Park
2005-2006 Best of Season
Outstanding Musical
John Doyle, Direction of a Musical
Raul Esparza, Musical Lead Performance
Ensemble, Musical
Mary-Mitchell Campbell, Orchestration
Production Design: David Gallo, Ann Hould-Ward, Thomas Hase, Andrew Keister |
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Crazy For You
University of Cincinnati College-Conservatory of Music
Outstanding Musical
Aubrey Berg, Direction
Joe Medeiros, Musical Lead Performance
Ensemble, Musical
Diane Lala and Brandon Bieber, Achievement in Dance
Roger Grodsky, Musical Direction
Production Design: Paul Shortt, Reba Senske, Jim Gage |
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Does This Monologue Make Me Look Fat?
Cincinnati Fringe Festival
Amy Salloway, Solo Performance |
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Don't Look Down
Cincinnati Fringe Festival
Adam Wagner, Original Songs |
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Emergence-See!
Cincinnati Playhouse in the Park & Cincinnati Black Theatre Company
Daniel Beaty, Solo Performance |
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Kimberly Akimbo
New Stage Collective
Sue Breving, Alternative Lead Performance
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The Last Days of Judas Iscariot
Know Theatre Tribe
Nick Rose, Alternative Supporting Performance |
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Les Belles-Soeurs
Dale-emma Productions
Alternative Ensemble
Dale Hodges, Alternative Supporting Performance
Amy Warner, Alternative Supporting Performance |
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Little Foxes
Ovation Theatre Company
Elena Monigold, Alternative Lead Performance
Alternative Ensemble
Gion Defrancesco, Scenic Design |
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Omnium Gatherum
Queen City Off B'way
Lyle Benjamin, Alternative Scenic Design |
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Permanent Collection
Ensemble Theater of Cincinnati
Michael Haney, Direction
Tony Campisi, Lead Performance
Robert Jason Jackson, Lead Performance |
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A Steetcar Named Desire
Cincinnati Shakespeare Festival
Outstanding Revival of a Play
Sherman Fracher, Lead Performance
Ensemble
Corinne Mohlenhoff, Supporting Performance
Will Turbyne, Scenic Design |
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Wayfarer's Rest
Ensemble Theater of Cincinnati
Production Design: Brian c. Mehring, Reba Senske and Fitz Patton |
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Wicked
Broadway Across America
Outstanding Touring Musical
Julia Murney, Lead Performance in a Musical |
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Yellowman
Playhouse in the Park
Outstanding Production of a Play
Hal Scott, Direction
Tamela Aldridge, Lead Performance
Scott Barros, Lead Performance |
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Most Valuable Players 2005-2006 Season |
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Giles Davies
The always dependable Giles gave us a season of memorable performances at Cincinnati Shakespeare Festival in parts both leading and supporting, ranging from Richard III to a tortured, decent man in Julius Caesar; to the bestial son of a nasty Goth Queen in Titus Andronicus; to a Cajun card player in A Streetcar Named Desire. |
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Drew Fracher
Drew was Mr. Everywhere this season – giving a heartfelt performance onstage at Ensemble Theatre in Intimate Apparel, directing Moonlight and Magnolias at ETC, showing off his skills as a fight director around town (in particular at Playhouse in the Park for Stone My Heart), AND delivering an A Streetcar Named Desire for the millennium at Cincinnati Shakespeare Festival. |
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Sara Goff
Sarah created a portrait gallery of characters for Cincinnati Shakespeare Festival this season. She had us from hello in Our Town (as both an exuberant little sis and a busybody neighbor), and the carefully crafted roles just kept coming throughout the season, including Portia in Julius Ceasar, and an unforgettable walk-on role as Eunice the landlady in A Streetcar Named Desire. |
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Chris Guthrie
Chris has an intensity that consistently energized shows all over town. Partnered with Giles Davies in Titus Andronicus (forget “Gray’s Anatomy’s Meredith and McDreamy… these two actors were the hottest pair of the year!). Chris anchored The Last Days of Judas Iscariot and Port Authority for the Know Theatre Tribe, and to see him tip to toe in yellow feathers as Chicken Little in Three Times the Tail for New Edgecliff Theatre was an illustration in making the ridiculous sublime. |
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Brian c. Mehring
The man behind the visual magic at Ensemble Theatre, Brian has consistently created fascinating, brilliant and visually stunning set AND lighting designs for ETC, ranging from a swanky, visually suggestive art museum in Permanent Collection, a madcap Hollywood office in Moonlight and Magnolias, and a mysterious cottage in a forest in Wayfarer’s Rest. |
